The black and white ļ¬lm contained many well-known and familiar elements of old horror classics, such as spooky shadows, ļ¬ickering light, and warped facial reļ¬ections, resulting in a horror which resonates even today.

The scripting of the ļ¬lm makes for a hilarious watch, with theatrical acting and more one-liners than a Hollywood action ļ¬ick. At times the age of the ļ¬lm shines through, such as when the word handsome is used to describe a woman. At other times it feels more con-temporary, such as when the phrase āgives me the creepsā is used. The general datedness of some of the language adds more to the ļ¬lmās watch-ability than it does to detract. It most certainly will deliver more laughs than scares, however, this is deļ¬nitely welcomed.
The ļ¬lm itself is short, running for a little over an hour, how-ever manages to pack a surprisingly dense story line and signiļ¬cant character development in, without feeling too rushed. The pace is neither slow nor fast, it is comfortable to watch, yet continuously entertaining.
The Old Dark House (1932) is deļ¬nitely worth a watch and could be suggested for people who are not usual horror fans, as it is tame com-pared to modern day ļ¬lms. The atmosphere of the ļ¬lm is more mystery and suspense, rather than implementing to-dayās common shock and gore tactics. The sheer quality and entertainment value is likely to leave viewers embarrassed that they have not endeavoured to see more ļ¬lms of that era.
I would rate The Old Dark House 4 out of 5 stars.
Universal Pictures
presents a film by James Whale
Produced by Carl Laemmle, Jr.
Written by J. B. Priestley (novel)
R. C. Sherriff
Benn W. Levy
Starring Boris Karloff
Melvyn Douglas
Charles Laughton
Gloria Stuart
Raymond Massey
Music by David Broekman
Cinematography Arthur Edeson
Edited by Clarence Kolster
Distributed by Universal Pictures
Release date
October 20, 1932
Running time
71 minutes
This article originally appeared in the Australia Times Film Magazine.



